Monday, November 30, 2009

Click

The sound of a camera's click has often held a heavy dose of the proverbial love/hate relationship. When I was a kid, my mom and a camera usually meant smiling when I didn't feel like it or pausing play with the gift I most wanted for a snapshot I didn't want at all. Of course, now that I have those memories locked in time forever, I'm thankful she pushed the point.

As I got older, especially those teen years, I began to see pictures as a pseudo-documentary of puberty's cruel joke on females. I was reminded of this stage recently when I went with a friend as she shopped for her homecoming dress: for teenage girls, the thighs are routinely too large, breasts too small, legs too short, and hair too dark. Like your thighs, breasts, legs, and hair? No worries: the list of anatomical errors is long enough, we're bound to find something that peeves you. When I was 15, I saw a body too short for boys, hair too straight and ordinary for commenting, and a nose that looked suspiciously like a pointed weapon. Now, I see an athletic frame, honey-toned hair that requires little effort, and the nose...well, the nose is what it is. And I ain't gettin' it fixed.

Pictures show that about us, I think: those aspects of us that once bothered us but matter little now. They also capture the memories of the best group of gals on that trip you took long ago. Or document the tiny newborn hands that escape your memory five years later. Or spotlight the perfect kiss, the ideal day, or those jeans that you never knew made you look so skinny!


But when my kids get their pictures updated, I love the sound of that click. I can't keep them little forever: I don't know that I want to keep them little forever: there's too much good stuff left to live. But portraits let me look again and again on that gorgeous one, two, three...eight...nine year old face as it grows each year. I see the teeth that have fallen out and the new ones grown into their places. I see the new freckles on Gracie's nose and how much Elijah's hands really look just like Craig's. In 20 years, I'll still see how Judsen's ears stick out from his head, just like mine. And just like my dad's. And when my dad leaves for Home, I'll see him in those ears.

Yes, yes, I hope to have the real-life versions of those portraits all my life to look upon and grin and remember. But those ears won't stay the little templates they are now. Grace will someday have all her adult teeth and, with each passing year, I'm reminded of just how fast that will happen. And Elijah's hands will one day be just as big as Craig's...maybe bigger...and I won't be able to fit them inside mine then like I can now.
But portraits help me remember all of that now.

And when the time came when it was possible we'd never take another family portrait with Craig in it, I vowed I'd capture that unit, too. So we hang that portrait above a sign in our house that says, "Home is where your story begins."

But, of course, only one word really tells the best story.

Click.


Monday, November 16, 2009

Music to My Ears

A good song must have a rockin' tune. Some major build into a moving chorus is preferred. A solid beat I need so I can hum and hum and hum and hum. This is music to my ears. But a favorite song needs a little somthin' more. To be a favorite, it needs to move me with its lyrics. (Well, I am a writer, after all).
And I have a new favorite song - you know the type...the one you listen to again and again and glean something from it each time. This is my current fix that keeps me jonesing. I love couples; more specifically, I love marriage. I love the concept, the content, the conundrum within it, and the complete freedom and blessing it can be. "Poison and Wine" by The Civil Wars (appropriate band name for this song) is a soulful rendition of what marriage is like for, quite honestly, the majority of Americans today. As we've become more self-obsessed, we've entered a realm where looking out for own #1 has long surpassed any procurement of unity and self-sacrifice in the social institution.
But I still have hope.  I remain privileged to know great marriages that are lasting a lifetime in opposition to this growing trend. But this song - this tension of hating and loving so intensely you don't know which way is up, of wanting and despising, of choosing and resigning to having no choice at all - is one reason we know God's called us to minister to couples. Because the plain truth is, even if this isn't you and yours, it could be any of you and any of yours at any moment. This covenant is precious, precarious and, for so many of us, a precipitant experience...we call it not just falling, but falling and falling in love, over and over again. And hoping you don't crash at the bottom.
The Video:
The Lyrics:
You only know what I want you to
I know everything you don't want me to
Oh your mouth is poison, your mouth is wine
Oh you think your dreams are the same as mine
Oh I don't love you but I always will
Oh I don't love you but I always will
Oh I don't love you but I always will
I always will

I wish you'd hold me when I turn my back
The less I give the more I get back
Oh your hands can heal, your hands can bruise
I don't have a choice but I still choose you
Oh I don't love you but I always will
Oh I don't love you but I always will
Oh I don't love you but I always will
Oh I don't love you but I always will
Oh I don't love you but I always will
Oh I don't love you but I always will
Oh I don't love you but I always will
I always will
I always will
I always will
I always will
I always will

Thursday, November 12, 2009

Yeah, he's that good.



I've discovered another exceptional writer. While not enirely new to the scene, he is widely unknown to popular audiences. Nevertheless, I came upon him and find him brilliantly gifted: he's a linguistic guru in the genre of historic fiction, particularly in the novella subclass. This means that, while his books are relatively brief in lenth (think circa 180 pages), they are all based on historic events. But wait - there's more!
He's also strongly centered on the vignettes of multiple characters: thus, you experience the given focal event of the novel through the multiples eyes of its players.
His name is Adam Braver.
I just finished November 22, 1963 which is, of course, about the assassination of John F. Kennedy (a subject, by the way, which holds my extensive fascination). And I just started Mr. Lincoln's Wars. He's also written Crows Over the Wheatfields (which I'm heading to as quickly as I can) and Divine Sarah, if you're searching about.
He is, in my humble but expert opinion, one of the genius's of the literary century.

Tuesday, November 10, 2009

If I Give an Inch, Does it Become a Mile?

Vanguard's senior pastor, Kelly Williams, begs a question on Facebook every Tuesday. Each query focuses on the message he's writing that day with the purpose, as I understand it, of stimulating a conversation both for his teaching and our learning, since thinking about these subjects certainly breeds consideration of them. Or so I hope.
This week's question was about Jon and Kate Plus 8. While I have commented sporatically in the past, I don't make it a regular habit simply because I don't always remember to keep track of them each Tuesday. But this one I caught in my feed and answered my gut. Here's what I wrote:
"In a postmodern world, reality tv has found its niche. Our culture talks a good line about the relativism of right and wrong but, if we were really honest about it, we haven't left the modernist black and white of morals behind as much as we'd like to believe. This show started as an exercise in voyeurism. But it fast became what can potentially happen to all of us: you get a little of what you think you want and tell yourself it doesn't matter how you're changing...and before you know it, you have too much of what you never wanted: the absence of all that once mattered to you."
Yes, I believe this is true for this couple, but I can only postulate about their lives...I can live mine. So, I point this lens of evaluation back at myself and acknowledge that this same potential lives within my bones, too. In fact, I'd go so far as to say it lives in yours, too.
We all face the temptation to make little allowances that create big trouble: we even have names for them. We decide we'll tell "a little white lie" or make an exception "just this once." We are concerned, but we "bite our tongue"; we are hurt, but we "take one for the team." We determine that "keeping the peace" is more fruitful than "rocking the boat", not because God says so, but because we're too tired to do otherwise.
I don't confuse this with grace and compassion; indeed, sometimes these very exercises are what we should do in the name of grace and compassion. Giving into the subtle temptations is rarely about doing the right thing and often about doing the easy thing. They're not about giving to another as much as preserving ourselves: that's the difference between the two.
I don't want to sacrifice my black and white, my right and wrong, at the altar of the grey because I'm too tired, too scared, too busy, or just plain too lazy to do better. I want to live boldy. I want to live real. Not postmodern, figure-it-out-as-you-go real, but true to who God made me to be, who He says I am, how He's called me to live...in this, I have hope.
In this, I know what matters.

Wednesday, November 4, 2009

The Story of Elijah

On November 3, 2003, at 7:32 pm, Elijah Amos Covak came into the world. He weighed 9 pounds, 9 ounces (and was even a skosh early, mind you) and measured 21 1/2" long. His name means "Jehovah is God" and "I was borne and carried." He is Craig's first born son. And he looks just like his father. Yes, JUST like him. There is a story behind that, too.
Grace was not yet 2, and I was having a conversation with Craig's grandmother at a kitchen table. Her only son, Larry (Craig's dad), passed away from cancer at age 48. Her husband also died - also from cancer - just about a year before that. Can you imagine? Talk about left in the world without the men God gave you...
Well, she commented that each one of her three grandsons reminded her in some way of her departed son, and she treasured every one. But, she said, her eyes brimming with tears, there were certain ways that Craig made her feel like her son still walked amongst us. "Why is that?" I asked, curiosity certainly peaked. "Because," she retold, "he IS his father in the soft tone of his voice, in how he half smiles like only he knows a secret...even in the way he holds his fork. I can close my eyes, and there is my son, alive in my grandson...a gift from God above."
This story had great impact on me in many, many ways. But, particularly, I felt it emblazen an imprint on my very soul about my own yet-to-be-born son. I knew I wanted that same story, if for no other reason than because I wanted to know that, somewhere, a son born to Craig by my body would walk the Earth long after he departs it...and that son would leave some indelible mark behind.
So, when we became pregnant with our second child, I related this story again to Craig and told him I was going to pray for a son. I told him I would ask God for a son with blond curly hair. I would ask Him to form this son with Craig's eyes, nose, and mouth. I requested that He create this child to appear so much in the image of his father that people would even remark on the likeness of their hands. But nine long months passed before I could see if God answered my prayers.
Since we don't find out who we're having (nope, not for any of them), we held our breaths as the final portion of the C-section was performed (yes, C-section. That's a story for another entry). And Dr. Weary - who knew this story and so was as anxious as us to discover what God had done - held our baby up and announced, "You guys, it's a BOY!" And Craig kissed my forehead and stood to meet his first-born Covak son. He stepped away from my view to cut the cord and then to wash Elijah and note all the important measuring, washing, and inspecting. As Dr. Weary stapled away, Craig returned, then, to my side and leaned down close, pulled away his mask and whispered, "He looks just like me." And I cried.
I knew that God, in the midst of war and famine and genocide and lack of pretty much everything in this world, had first heard and then ordered those prayers to come to pass. Of all the singular moments in my life, NEVER do I remember feeling God make me feel so implicitly, devastatingly, uniquely important to Him.
And I got that son for whom I prayed.
And years later, on a dark night, alone in our bed while my children slept next to me, I held Elijah's 4-yr-old hand. Craig was in the hospital in a critical state, and we didn't know if he would live or die. But I held that hand, and I remembered this story, and I looked down at my son's hand and saw a miniature of my husband's. For the first time, perhaps, I truly understood the importance of Helen's story. And I was comforted. God reminded me, sure and strong, that my first gift was indeed my son's father, for whom I never even knew how to pray...I just knew I wanted him.
So every November 3rd, I remember that story, and I tell it to my son. And I remind him that he was borne and carried, and that I am proud to have done this for this precious son.

And I point to his heart, and I say, "You must leave a mark, my son. Let that mark be your namesake: let it be that you tell the world, 'Jehovah is God.'"



Judsen's 1st Haircut

Yes, it's that time. And it's early for our house: as a little girl, Grace's hair grew and grew until almost 3 before it needed some shaping and such. But boys are different; without some structure, their hair can run amock, indeed. But, for those of you who recall, Elijah had all this beautiful curly hair, so cutting was unnecessary. And, now, we've arrived at Judsen: straight hair like Grace's with a fine texture that seems to flip and flop any which old way it chooses. So, it was time to give it that cut and shape...and at 18 months, no less!
Here's the before and after...

He looks more like a little boy, right?
While not without some minor bumps, the process of me cutting was actually pretty painless. Oh, did I mention I do the hair cutting of children and husband around here?


First, we had a runaway. "Nuh-uh, Mama, I
don't like the look of them there scissors!"

But he was soon distracted by a "treasure."              And the cutting could commence. Grace took photos.
And here's the final product...post comb. Sigh.