Saturday, March 28, 2009

Decrypting "Flightless Bird, American Mouth"

(Check it out on YouTube).Some like it, some don't. Most are repelled by the lyrics, I think. Baffling. I think they're brilliant. What do they mean, though? Well, having just come off my little commentary on the somewhat subjective, entirely personal issue of textual interpretation, I'll have to qualify by saying I suppose it depends on the context of its presentation. Cop out? No way! There's a few possibles I see in this one, but I'll stick with the stage the movie's music supervisor and director chose...love. The visual of the lovers' dance in the movie's final frames juxtaposed with the lyrics is irrevocable: I'd summarizeby saying my rendering is that the song is about hunger to know self that is realized, then threatened, then sated. Here's a peek at the lyrics by Iron & Wine (aka Samuel Beam):
I was a quick wet boy, diving too deep for coins
All of your street light eyes wide on my plastic toys
Then when the cops closed the fair, I cut my long baby hair
Stole me a dog-eared map and called for you everywhere
Have I found you
Flightless bird, jealous, weeping or lost you, american mouth
Big pill looming
Now I'm a fat house cat
Nursing my sore blunt tongue
Watching the warm poison rats curl through the wide fence cracks
Pissing on magazine photos
Those fishing lures thrown in the cold
And clean blood of Christ mountain stream
Have I found you
Flightless bird, grounded, bleeding or lost you, american mouth
Big pill stuck going down
The first four lines depict a young man, simple in maturity but complex in life experience who wants more, perhaps more than he can get (wet, slick boy diving too deep for coins). Then he meets a gal who's euphemistically "out of his league" (she's the coins)whose insight makes him feel exposed as an undeveloped charlatan (street light eyes, plastic toys). But keeping her will take some changes, changes he makes by growing up and pursuing her path -- a path he's less than comfortable with since it's as foreign to him as it is frightening. And he wonders if he's found "the one": the soul mate who won't abandon him, but stay forever lest he be broken, jealous, or alone (flightless bird). If that can happen, it will defy common opinion, interpretation, even everyday expectations (american mouth). And he'll be good...redeemed...purifed.
Of course, getting the girl makes him deliciously happy (fat house cat), but leaves him restless (nursing a sore blundt tongue), wanting some part of him he had to abandon (watching the rat to his cat). In resisting the temptation to revert to an old self -- a self he's tempted to define as "truer" -- he's casting off cultural nee-sayers and doubters (pissing on magazine photos) that incite him to be what he does not want (fishing lures), to become again what he once was. Giving in to popular misgivings and speculations that no one ever really changes would mean releasing a sense of newfound purity in this love discovery (clean blood of Christ mountain stream)...a choice he won't make because he has a newer, better sense of himself. Indeed, he has found a flightless bird, not only in his lover, but in the presence of a renewed, redeemed self. Of course, no change -- however good and true -- is easy.
That is the price of choosing the wicked to begin with...it's the big pill stuck going down.

Reinterpreting Interpretation

So I miss grad school. I miss this strange and (dare I say it?) "twilight" time of my life when I was neither fully out of academia nor entirely in it. It was before I was a teacher, crossing to the other side of education where, as much as you enjoy suggesting world interpretation into potential muse-minds, you can never be the muse-mind...eating and drinking and becoming intoxicated on nothing else but the word, the interplay of image and interpretation. No, this near-sacred era of life was about roughly 10 peers you saw every day, coming and going in and out the doors of great reading, thinking, and imagining. All day, we sat and looked at pictures of both written and visual word -- watching movies, reading books...some were good, some weren't. But the process was always moving, because it opened a part of us hungering for nothing but the exploration of the image.
Now, if you're saying, "Huh?" and wondering what the heck I'm talkin' about...well, that's ok. Time has determined in me the truth that, like eye color, height, build, and degree of brilliance, the yearning to explore image is ingrained in one's makeup, not infused by the mind. In other words, you either got it or ya don't. And, since we're all made differently, uniquely, that's ok, too. But, if you're like me, this interpreting is like a lover to the mind...euphoric, heady, amusing, and most stimulating.
So, I miss grad school because the biggest sum of pages in my book of time were rendered to interpreting, discussing...and what for? For the pleasure of thinking. For the satisfaction of sharing. For the growth of exchanging. For the betterment of growing. It's like a quote from the movie Mr. Holland's Opus: when referring to budget cuts that eradicate arts programs in favor of the "necessary elements" like reading and writing, Mr. Holland says, "Keep cutting. Pretty soon they'll having nothing to read or write about." Text is what we think about. Write about. It's what innervates a part of our humanity. Anyway, get it or not, this is a tremendous gift of and to the mind...and those possessing it seek each other out relentlessly.
Every now and then, some new text will capture my mind and reignite the fire of interpretation. My latest literary obsession, if you will, is the movie "Twilight." No, not the book. The movie. Director Catherine Hardwicke has done an extraordinary job of rendering book to movie in a fashion that spotlights image and text in an articulate display of music, light, juxtaposition, foil, tension, insuination, and melodrama. Fanciful, sometimes, but masterful always. As I think this text out, I'll be blogging. Great outlet.
I think I'll do music first.

Thursday, March 19, 2009

Iron Sharp?


God often speaks to me through song. It's not always worship music, per se...you know, God is holy but He speaks to us remembering that we are NOT. So, sometimes lyrics will get stuck in my head; I've long since learned that I might be contemplating them in a myriad of ways for as long as weeks or as few as days. Time becomes irrelevant as I chase after the morsel of His calling, the tidbit He's holding just for me.
Lately, the song "How He Loves Us"written by John Mark McMillan (find it on YouTube) is on repeat play in my brain...in my heart, really. I've considered it already in light of how He saved me, how He created me and the world in which I walk, how He exists despite our faithlessness, how He exists in light of our faithlessness, how He's sinking me in His grace. Today, I'm considering it in light of How he sends me friendship. Of how I'm broken and mending and healed by the Lord. Of how women have taped my Band-Aids, soothed balm over my burns, and sewed perfect, even stitches on a gash broken wide in my flesh. Why do that, God? Why do I get to have these nursemaids of your glory tending to my afflictions, these bearers of nurturing not immune to folly? These friends who laugh through tears, stand in the rain, hold my hand in the sun?
Here are some of the various renderings of Proverbs 27:17:

"As iron sharpens iron, so man sharpens man." NIV

"Iron sharpens iron, so one man sharpens another." NASB

"Iron sharpeneth iron; so a man sharpeneth the countenance of his friend." King Jimmy

"Iron makes iron sharp; so a man makes sharp his friend." Bible in Basic English

and my FAVORITE....

"As iron sharpens iron, so one person sharpens the wits of another." NRSV

My most precious women -- Z, B, Amy -- I love them jealously, for they are treasures with whom I never want to part. Your acceptance of me is the strongest wind, the gentlest whisper, the firmest reminder that I shouldn't maintain regrets...for I am loved by God. I am called as chosen. I am loved well, first by God then by these women. Relationship with them is like a passionate kiss, one filled with God's deepest affections, His most vivid promises, and His affirmation that He'll never leave me. Within me abides the Great Comforter; outside of me dwells the nourishment of friendship with these stellar women.

God inspired McMillan to write this song when he feared the world had forgotten a friend whose final heart cry before he died was for God to use him mightily. Would the world's memory begin to fade where Z, B, or Amy were concerned, I believe I'd run steadily, ceaselessly and blatantly to refresh it, sear it anew lest their beauty leave the earth. Like McMillan, I, too, couldn't abide letting my memory of their character, poise, spirit, and life slip away: how captivating, then, that God would speak to McMillan in a language he understands -- song-- to deliver inspiration, yes, but also confidence...confidence that GOD hadn't forgotten McMillan's friend. Indeed, He remembered Him so well He seeded a song in a writer's heart that has impacted a world of the faithful and faithless alike.

I thank God for my gals daily...I truly do. They are my iron. I sharpen them. I am sharpened by them.

And I know He loves us all.

Tuesday, March 17, 2009


Day's dawn brought coffee and dry toast. No purpose, no snap of inspiration. New day meant old monotony. But with evening's twilight came a hot bath and a “Dear Diary.” Then she came alive. That had always been the case. She loved baths. Even as a child, while her playmates bawled in protest, she pleaded for the sanctuary of baths. Scorned for an utter lack of adolescent folly, she was often the source of obvious speculation. In fact, this was almost always the cause for her retreat to a corner in any room she found herself. It was, she often mused, as if she was always apparent yet somehow never visible.
But she loved baths. They were the best corner of all…a place to hide without anyone knowing you were hiding. Now as an adult, she wrote each night in a diary constructed not of pen and paper but of steam and bubbles. Baths caught her tears, heard her sighs, secreted her stories, and still remained her friend. Baths meant alone. And, even as a child, alone felt right.
That day had been as any other, really. The humdrum of conference calls, staff meetings, and too many trips to the espresso bar was followed by a trek onto the congested freeway. She punched on the radio and surfed restlessly, checking each station for the song she wanted. She didn’t find it. She drove the rest of her route anticipating the plush sink of the carpet and the cool of the bathroom tile. She'd finally ease her pinched toes from the high-end heels her co-workers envied and shed the pencil skirt that clutched a bit too tightly. She'd discard the sheik jacket that squeezed her chest and cinched her waist. Free at last, it would be time for her evening’s most faithful companion. She’d fill it with liquid tonight – perhaps lemongrass with a drop of lavender – and light the plain white pillars around the basin. She hadn’t used the white in a while: she wanted to be plain and overlooked like them. She eased into the water, imagining a raucous applause that disappeared as abruptly as it came. She was alone again. At last. At best. And there she lay; for how long she could only guess. The garage door beneath the bathroom rose, grinding out its announcement of his arrival, like the house’s teeth couldn’t bear to receive him without some note of its displeasure. She sank lower into the bath.
First, she saw his shoes: black leather with ridiculous patterns narrowing at the toe. She thought he wore them to demonstrate fashion saavy; to show he could, in fact, pick out the shoe with pizzazz making him different from all other men wearing black leathers with ridiculous patterns narrowing at the toe. Of course, they all bought the same shoe, so she rather figured he wore them for no reason at all: he simply did what everyone else did and tried to look unique while he was doing it. Stupid boy. The shoes were followed by the pants, the hand, the tie, and the jacket. All superficial. All artificial. All his. She met his eyes, and he smiled. It was broad, big even, and showed lots of teeth. She blinked back and asked, “How was your day?” He spoke, but she didn’t hear. She wasn’t alone in her bath anymore.
He emerged from their closet naked. “Mind if I join you?” came the query. But he’d asked as he was already dipping one pedicured toe into the water. It was tailed by a foot, then a leg, and before she could reply, he’d assumed the majority of the quiet place. He was reading her diary.

“The garage door is grinding again. I think its chain needs some WD 40.”
He’d never greased the garage door, and she was fairly certain he didn’t even know where she kept the WD 40. She was positive he couldn’t identify the garage door chain.
“I’ll look at it tomorrow after work.”
“Good,” was his contented reply.
Sigh. Of course, it didn’t matter how many times she greased the door: the door wasn’t the problem. Like her, their house simply didn’t like him, and it would always complain.
“Did you not get to the gym today?”

The bath water was cooling. The bubbles were breaking. How do you answer those “not” questions, again?
“No, I didn’t.”
“Hmmm. You know discipline will make the difference in those last five pounds.” Pause. “Don’t you think?”

Ah, there it was, that game where he told her what she should think without asking what she did think. She looked at his hands again. Long, thin fingers, twiddling away in the water. His wedding band was gold. It shone brightly in the candlelight's shimmers, laden with frothy orbs set atop its curve.
“Yes, I like discipline. It helps keep the tongue in check. Don't you think?"
“I’m sure I wouldn’t know. You’ll go tomorrow, then?”
Sigh. “Sure." Pause. “So, how did your meeting with clients go?”

She wasn’t sure he’d met with clients today, but it was likely. He met with clients any other day. It didn’t really matter that she didn’t know, didn’t care, and wasn’t listening. He stroked her leg as he answered; some doldrum about the trials of lunches and assistants that didn’t schedule tightly enough. She could only pay attention to the strokes. They were long, comfortable … absent-minded. They were either the signs of stale familiarity or initiation of sex. It was hard to know which. Sigh.
“And how was your day? Lots of sighs tonight. Did anything go wrong today?”
“No, just the typical stuff. You know.”
“Sure.” The stroking stopped. He looked thoughtful, far from her, though he sat in the water mere inches away. The ring glittered again; a quick flash and then gone. “You’re happy, right?”
The answer came so quickly, she didn’t even think. “Absolutely. Why wouldn’t I be? You?”
“Most definitely. My life is just as I want it.”
She smiled meekly, just a small, fleeting upturn of the corners of her mouth. Then it was gone, like the flash of his ring before. It pained her. She rose, then, with water sluicing off her body. He looked up in appreciation as she stepped from her diary, tonight’s entry complete. She would be alone again, soon. But tonight’s bath was over. The water had grown cold.